—Jim Vorel, The Friday the 13th movie that launched a thousand imitators: Years after two summer camp counselors are offed while they’re getting it on, a new group with similar extracurricular activities arrives at Camp Crystal Lake. The movie set up mood of the slasher: Sexually charged, with a degree of mystery, where the ample cast of characters one-by-one take a sharp turn into doom. type to search . Like Halloween, it lingers heavily on POV shots from the killer’s eyes as he prowls through a dimly lit sorority house and spies on his future victims. "Terminal D" by Silent Partner Moody, melodramatic and genuinely chilling in some of its quiet, stalker-ish moments, Alice, Sweet Alice runs the gamut from emotionally harrowing to violently perverse. Still, Torso is as exploitative as the title no doubt sounds, with plenty of nudity and a hedonistic, Bohemian attitude periodically punctuated by strangulations. Green Room depicts a fierce battle for survival. Although many Italian giallos of the ̵]7;70s have slasher elements and pre-date the likes of Black Christmas and Halloween, none of them have kills that so directly seem like something out of a Friday the 13th movie. If the original A Nightmare on Elm Street is the series at its most frightening, then Dream Warriors is perhaps the series at its most purely entertaining—the mold that lesser sequels were always trying to duplicate in the years that followed, with diminishing returns. Portland Horror Film Festival. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging ... The . If anything, the only area where Part 2 is lacking is the more outlandish kills of the latter films in the series, although it does have one of the genre’s most classic “harbinger” characters in the form of “Crazy Ralph,” who warns the prospective campers that they’re “doomed! Best Indie Horror Movies Streaming | IndieWire 40 Indie Horror Movies Now Streaming, from 'The Witch' to 'Midsommar' From "Hereditary" to "Evolution," "Baskin," and "Suspiria," these are the. The following reviews were extracted from a database and formatted for this book. From reading about serial killers to binge-watching midnight slasher movies, I've never shied away from the gruesome. —Jim Vorel, It is perhaps odd to think, in the post-Jason Voorhees era of slasher villains, that slasher killers of the early ’80s were often weirdly justified in their slayings. by Josh Mills. Tony Todd, as the titular character, has a certain mesmerizing quality that waltzes daintily on the line between farcical and terrifying, while Virginia Madsen as the protagonist actually allowed herself to be hypnotized by her director on set to properly convey the sense of falling under the Candyman’s spell. Sure, there are some “escaped maniacs on the loose,” but many are basically avenging angels, punishing groups of young people for a terrible crime they tried to sweep under the rug, with Prom Night standing as one of the classic examples. As for the cast, it’s just about the most ’90s assemblage in horror history, from Sarah Michelle Gellar and Jennifer Love Hewitt to Ryan Phillippe and Freddie Prinze Jr., each more perfectly coiffed than the last. Saint Maud A24's Saint Maud has made the rounds of film festivals since 2019, but it didn't get an official release until Jan. 29, 2021, with streaming . Our list of the best indie movies on Netflix right now includes Sundance gems, thrillers, horror movies, and underrated comedies. More unsettling than horrifying, you should check it out if you have a fondness for the old-school. With everyone sharing everything on the Internet constantly, these independent creators are finally getting the exposure they deserve. Speaking of collecting things, Shudder released a number of original anthology horror films in 2020 - the best of which, in my opinion, is writer and director Ryan Spindell's The Mortuary . 1. It’s a brilliant, twisted love letter to the genre that also develops an unexpected stylistic change right when you think you know where things are headed. This book provides an in-depth study of New French Extremity, focusing on such films as Trouble Every Day (2001), Irreversible (2002), Twentynine Palms (2003), High Tension (2003) and Martyrs (2008). I cannot fanboy over this film enough. Basically, Peeping Tom is precisely as silly or as serious as you care to read it, though as absurd as the premise sounds on the page, the film is anything but on the screen. —Jim Vorel, Alice, Sweet Alice is one of the most fascinating of proto-slashers, arriving after the limited exposure of 1974’s Black Christmas but before Halloween rooted slasher conventions indelibly in the American psyche. You figure it out. Rather, Maniac is the unsettling descent into madness of a single outsider, capped off by a classic bit of Tom Savini gore-craft, when Spinell’s killer leaps onto the hood of Savini’s car and blows his head to smithereens with a point-blank shotgun blast. If you’ve never seen a film in the series, ask yourself this: Did you know that the plot of Child’s Play is technically all about voodoo? (Argento isn’t into efficiency, either. By approaching it from a new angle, Craven was able to reclaim some of the franchise’s tarnished dignity. The scene of his spastic, improvisational ’80s dancing is nothing short of legendary. In terms of uniqueness alone, Candyman earns its own strange, little corner in the slasher canon. Bipasha Basu has been dubbed by the Indian media as Bollywood's very own scream queen , having starred in 7 horror films from Raaz (2002) to Alone . The killers in both films wear masks, for instance, but in both cases they’re stalking a single woman in the confines of her own home, violating the group nature and “body count” rules necessary to slashers. 3. These, then, are 24 of the best indie movies made in the last four decades, and proof that the indie flame burns, somewhere, in anyone who loves cinema. 2019 was another stellar year for horror hits and box office gold. But the past is past, and now we turn our attention to 20 independent horror films that you should keep on your radar in . Movies. Stick with it and you will find yourself an indie horror that pays reverence to the classics of the 70s. The setup is extremely familiar, echoing My Bloody Valentine’s “the first dance in ____ years” celebration as the impetus for the revenant of a long-gone killer to resurface. (2001) In the spirit of all those independent horror filmmakers who've exploited whatever resources they have on hand, in 2001 well-regarded indie-dramedy director Brad Anderson brought some relatively crude (compared to today) digital-video cameras into a crumbling, decommissioned Massachusetts mental hospital, and made his first and best scary movie. It’s incredibly patient with an incredible payoff that’s worth waiting around for. Soles. It’s a film that benefits from a perfect supporting cast of dreamers, all battling their own personal demons, but of course it’s Robert Englund who steals the show as Freddy. Knock-knock. What I did not expect was to leave the film reflecting on whether it was the right time to take my writing career more seriously.”. Classic horror genre lovers will fall for the blissful classic horror cliche of the cursed dress. It would have been a fitting end. Well yes, and no. Even if the film industry revolves around blockbusters, for the most part, independent films are still a crucial component of it. “It’s been a while since I’ve seen a film which made me think twice before turning out the light as I went to bed. As the boys’ suspicion grows, so too does the suspicion of the viewer that all is not as it seems. Please note that the below is in no particular order; they’re just numbered so you can keep track of it easier. —Jim Vorel, April Fool’s Day is rote, until it isn’t; predictable until it turns the tables, and very difficult to assess as a result. Along the way, anyone who gets close to the answer gets a meat cleaver to the head from a mysterious assailant in black leather gloves—except for those who die in much worse, more gruesome ways. Yes, the same person who gave TBS its annual Christmas Eve marathon fodder was also responsible for the first major cinematic application of the phrase “The calls are coming from inside the house!” Black Christmas, which was insipidly remade in 2006, predates John Carpenter’s Halloween by four years and features many of the same elements, especially visually. By Scott Weinberg. —Jim Vorel, For students of John Carpenter’s filmography, it is interesting to note that Halloween is actually a significantly less ambitious film than his previous Assault on Precinct 13 on almost every measurable level. When a band plays at a Nazi club, they witness something they shouldn’t have witnessed. Soma (PC / Mac / PS4) SOMA - Story Trailer. Portland, U.S. Found insideJoin Kelly and Meg in The Science of Women in Horror as they flip the script and prove that every girl is a “final girl.” . . . NOS4A2 Don't slow down Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. 10 Best Indie Movies of 2020, According To Rotten Tomatoes. From all around the world, here are ten of the best indie horror film festivals. 2009 was an extraordinary year for indie horror with Paranormal . The Best Streaming Horror Movies You Should Watch Right Now NEWS TRAILERS REVIEWS MOVIES TV COOL STUFF PODCAST FEATURES By /Film Staff / June 11, 2021 10:47 am EDT It’s slow almost to a fault, but your patience will be rewarded with this one. Jessica Rothe is charming as protagonist “Tree”; the film is by and large a bit funnier than it needs to be; and it does a good job of drawing the audience in with the promise of an expected conclusion before pulling the rug out from beneath them in the last few minutes. The film In Fabric comes from the mind of Peter Strickland. 1. Frequently clever, but surprisingly heartfelt, The Final Girls benefits more than anything from a stellar supporting cast of comedic actors, from Malin Åkerman and Alia Shawkat to Thomas Middleditch and Adam DeVine, who all elevate what could easily have been an overwhelmingly chintzy premise into a genuinely enjoyable (if lightweight) horror comedy romp. —Jim Vorel, 1981 was almost certainly the most prolific single year of the early 1980s slasher boom, but already by this point some of the films were getting a bit on the derivative side. Much of it is character driven—this is the film that introduces the kid who would rightfully be considered Jason’s “arch enemy,” Tommy Jarvis, here played by a rather unsettling Corey Feldman one year before The Goonies. It’s fair to say that It Comes At Night is a supremely polarising movie, and it’s easy to see why. It wasn’t the first film of its kind, but it was the first one to be seen by a huge audience, which went a long way in raising the “genre IQ” of the average horror fan. This ambiguous story has been studied and adapted extensively and still makes for an intriguing read. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. Except this time, the malevolent spirit of Freddy—or perhaps the idea of Freddy, starts jumping out into the real world. Moving swiftly on, this is a surprisingly excellent horror in the vein of John Carpenter’s finest with a dash of modern horror brutality thrown into the mix. If that’s your kind of thing, go for it, but don’t say we didn’t warn you to bring a bucket with you. © 2021 Paste Media Group. They’re all horror films, but they’re not slasher films. I'm a cinema fan across the board, but I'm specifically an indie cinema fan above all. It’s a lean, mean movie with some absurd characterization in its first half (particularly from the ditzy P.J. Bryan Bertino (The Strangers) wrote and directed one of the best horror films of 2020, . “Romance” might be an odd word to hear in this instance, but it’s appropriate—Candyman is unusual among slashers for its deep themes of race and taboo, especially as they pertain to sex and love. Necessity is the mother of invention, meaning small movie budgets often splurge forth utter gems. New York City, New York, US Hosted By Brett Arnold and Joe Avella, the best horror movie podcast with the most opinions, as they talk an even mix of current top horror movies to old scary classics from the 70s, 80s, 90s, and the 00s baby. The rehabilitation of Robert Pattinson was complete with this 2019 psychological masterpiece. He is, like Psycho itself, one of a kind. Not all of Prom Night can live up to it (the disco dance sequences are dreadful), but the chase alone makes it a classic. Goodnight Mommy (2014) Goodnight Mommy. The movie seems calculated to come off as a straight horror film, but the death scenes are often so outlandish that it veers pleasurably into horror comedy, as well. What do you think of, when you read the words “slasher movie”? Found insideBut its long-lasting influence is undeniable, and for all its age Dracula remains a gripping, fast-paced, and enjoyable read. This book is part of the Standard Ebooks project, which produces free public domain ebooks. That’s gotta feel pretty good for Neal, though not so much for the killer’s victims. Starring Jamie Lee Curtis in her first slasher role after Halloween, Prom Night knows it’s trying to cash in on that earlier film’s success, but it also manages to stand on its own, inspiring imitations all the way to I Know What You Did Last Summer. Attack Of The Indies: Top Indie Horror Films Coming In 2021. by Timothy Rawles January 14, 2021. by Timothy Rawles January 14, 2021 7,380 views. The pacing can, at times, be laborious and make you feel like a “big” moment is coming to reward you for your patience, but it doesn’t. As the mentally deranged killer calls the house and engages in obscene phone calls with the female residents, one can’t help but also be reminded of the scene in Carpenter’s film where Laurie (Jamie Lee Curtis) calls her friend Lynda, only to hear her strangled with the telephone cord. It then went on to be released as a freely available download via legal bittorrents (also now available here as a hard copy). Building upon his persona from the first two Nightmare installments, this film is the zenith of “funny Freddy” as an archetype, expertly balancing the character’s menace with deadly one-liners that are instantly iconic. There’s paranoid former POW Frank (the ever-grizzled Jack Palance), who believes his psychiatrist is conspiring against him; obese child molester Ronald; pyromaniac preacher Byron; and one psycho simply known as “The Bleeder,” for the fact that his nose bleeds whenever he kills. Bait (2019) This content is imported from . MUBI offers a selection of curated cinema varying from cult classics to modern gems. It delivered. —Jim Vorel, It’s rather difficult for a genuine slasher film to be “sweet,” but this horror comedy manages that odd distinction. Few scenes so well capture the voyeuristic terror of witnessing a crime unfolding. A slasher villain may primarily stalk a single protagonist through the course of a film, but he cuts a path through others in order to get there, because it’s the kills themselves that the audience is there to see. When you’re possessed of as great a gift for that kind of thing as Argento, what reasonable person can blame you? However, we are here to defend it: This is arguably a more entertaining film than first sequel Halloween 2, and one that gets an above-average horror movie performance out of Danielle Harris as Jamie Lloyd, who was only 9 at the time. Halloween (1978) Often considered the Grandfather of Slasher films, Halloween is the epitome of a successful and iconic indie horror film. —Jim Vorel, Here’s a fun game: Find someone without much knowledge of the horror genre, and ask them to guess what number in the Friday the 13th series bears the subtitle The Final Chapter. This review of the scariest and craziest is just as unpredictable: surprising you at every turn with an obscure masterpiece or an odd bit of trivia about your favorite classic. 10. Join Cultured Vultures as we bring you some of the biggest news from the world of wrestling. Whereas Scream sets out to reinvent—or more accurately, wink at—the wheel, I Know What You Did Last Summer had no such grand ambitions in mind. From there, the story becomes more complex, as motivations and secret histories are revealed. Every, and I mean every, horror fan needs to see Behind the Mask. Hooper’s vision of “the carnival” is one that doesn’t glamorize the nomad’s life in the least—the proprietors of this traveling establishment are one of the strangest, most unnerving and coarse collections of extras ever assembled, to the point that it’s difficult to tell where the freak show ends and the carnival employees begin. So, then: Before we embark on listing the 50 best slasher movies of all time, our task is clear. The 23 Best Indie Movies of All Time; . —Jim Vorel, The executive producer of Terror Train reportedly instructed his crew to make “Halloween on a train,” and although you can at times feel the effort being made, John Carpenter this ain’t. Zeen is a next generation WordPress theme. 1,360 views made by Logan. On the surface an exploration of an urban legend about the ghost of a lynched slave with a hook for a hand, on a deeper level Candyman functions as both a sumptuous gothic romance (aided by its Philip Glass score) à la Crimson Peak and a biting condemnation of government negligence and urban decay in Chicago’s poorest slums. Home invasion movies are not automatically slasher movies, Many home invasion movies, such as The Strangers or Hush, share common elements with the slasher genre. Murnau film on our list of silent horror movies, but it won't be the last. Copyright ©  2018 Fandango. We need a concrete “slasher movie” definition. —Jim Vorel, Pieces is the sort of silly, head-scratching early ’80s slasher wherein it’s difficult to decide if the director is trying to slyly parody the genre or actually believes in what he’s doing. In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest novel from the Jordan Peele of horror literature, New York Times bestselling ... Plus, it introduced the superlatively sinister Leatherface, the iconic chainsaw-wielding giant of a man who wears a mask made of human skin, whose freakish sadism is upstaged only by the introduction of his cannibalistic family with whom he resides in a dilapidated house in the middle of the Texas wilderness, together chowing on the meat Leatherface and his brothers harvest, while Grandpa drinks blood and fashions furniture from victims’ bones. The big one. These indie horrors are crafted without the backing of movie studios and the like. If you manage to make your way through Green Room without vomiting on yourself through sheer anxiety, you’re a braver person than most. 10 Best Indie Horror Movies Of All Time. Discover The Best Indie Horror Games for PC Indie games, movies, and music are in a heyday. Good: Check out our picks for the Best Movies of 2019 and the Best TV Shows of 2019, and also our profiles of 9 Horror Directors Creeping You Out This Year and Next. and confirming that yep, he’s some sort of hulking, deformed backwoods monster, all grown up. —Jim Vorel, Dario Argento’s movies would be easy to pick out of a police lineup, because when you add all of his little quirks together they form an instantly iconic style. Slasher villains are never one-and-done. The book features entries representing key horror subgenres such as the Italian 'giallo' thrillers of the late 60s and 70s, psychological thrillers, and zombie, cannibal, and vampire movies. The film that gave me the idea for this article, Stake Land is one of those films on . Whether it’s the slow burn brilliance of something like The Lighthouse or zombie movies somehow constantly being reinvented, if you want innovation in horror, indie is where you have to look. If you’re a seasoned slasher buff, you’ve probably seen things like a head being crushed, or a man’s face being sawed in half, but you probably haven’t seen it shot in nearly such a gross and unflinching way as it is here, I assure you. Found inside – Page 103... in terms of the linkage of the film with indie horror filmmaking traditions, ... keeping control of the camera and, despite her best efforts, ... The action, importantly, is viscerally shot and impactful, making for a film where each physical confrontation has real, concrete consequences. —Jim Vorel, Urban Legend is one of those late 1990s slashers that cropped up in the wake of Scream and its sequels, and considering its meta-slasher leanings, it’s almost impossible to discuss Urban Legend without noting the context of Scream, as reviewers certainly did at the time. —Jim Vorel, Of all the camp-based Friday the 13th rip-offs, Sleepaway Camp is probably the best one that isn’t The Burning. Bursting with atmosphere and full of bold, daring, and often undiscovered cinematic treasures, horror film festivals are heaps of fun (especially if you have a strong stomach and a taste for terror). But soon, the people at the camp who were mean to Angela start getting knocked off. I cannot shake this film from my brain. It might have a couple of uneven spots and or two coarse edges but it certainly sticks in the mind, something which a big budget horror struggles to match. Yet even on tight budgets, top indie directors can craft compelling movies. Something's wrong with the mother of two young boys. —Jim Vorel, The oeuvre of Clive Barker tends to dwell on dualities and sensuality—pleasure and pain, heaven and hell, brilliance and insanity. At first it seems just like one of the pale Friday the 13th imitators, aping the summer camp setting much in the same way as Sleepaway Camp would later do, but there’s an artistry and shocking quality to the violence and gore here that isn’t present in most of the copycats, which were more interested in titillation rather than genuine surprise. Overall, the film is a brisk watch that is never anything less than entertaining, equipped with a seemingly obvious supply of red herrings to keep you occupied until it barrels through a conclusion that seems obvious in hindsight, but is all good fun in the moment. Horror movies are big business, but that doesn't mean you need big-name directors or stars. The Tunnel is for fans of the likes of The Descent, and lesser-known Stag Night, providing audiences with a . It has a few “mystery boxes”, as Abrams would say, but it’s ultimately a character-driven indie horror movie rather than a spectacular and heart-pounding romp. You’re Next immediately sets up a premise that we’ve seen many times before, that of the “home invasion” style of horror-thriller, before subverting the genre’s expectations when our Final Girl proves to be far more adept and capable than any of the audience members realized—a moment that also transforms the film from “home invasion” into more of a pure slasher. Because it is. Written by John Carpenter and Debra Hill, but instead directed by Rick Rosenthal, it displays some of the stylistic flair of the original while confining the action almost entirely to a single setting, the hospital where Laurie Strode (a returning Jamie Lee Curtis) is taken immediately after the events of Halloween. As in reality, the killer is never caught, and the film never deigns to speculate as toward his identity or true motivations—it’s the rare slasher film that is largely depicted from the perspective of the police trying to catch the killer, rather than the killer’s motley crew of victims—an embryonic version of David Fincher’s Zodiac. —Jim Vorel, Happy Death Day is the sort of film that is both propped up and constrained by its high-concept premise—you know within moments that it was pitched in a boardroom as “Groundhog Day meets Scream,” and that a bunch of middle-aged white executives nodded accordingly and began appropriating funds and looking at headshots of attractive young women. The Final Girls is about a young woman named Max (Taissa Farmiga), whose deceased mother was a scream queen actress known for her role in an ’80s Friday the 13th parody called Camp Bloodbath. Portions of the film are kind of rote, and even the best-looking versions you can find today have a soft, gauzy quality that makes the picture look a little strange, but when Prom Night is good, it’s great. Rather, the audience hears the running background noise of his madness as he mutters to himself and stalks his female victims. Casual viewers are likely to not realize that Jason hasn’t yet acquired his iconic hockey mask at this point in the series—instead, his head is covered in a dirty cheesecloth sack with a single eye hole, which is somehow even creepier. From Fortnite to Hearthstone and everything in-between, we have you covered with our gaming tips and guides. YellowBrickRoad (2010) Error: please try again. —Jim Vorel, It’s a bit of a sleeper pick, but one that has become more defensible over time as its stock grows—of all the Friday the 13th movies, the most purely entertaining entry falls right in the middle of the series: Part VI, Jason Lives. In many cases, the limited resources force directors and other creatives to get extra creative. I personally have a bias for this film not only for its achievement in filmmaking but also who it continues to inspire. In particular, actor Eric Freeman as serial killer “Ricky” leaves an unforgettable impression for how genuinely and haplessly out of his depth he appears to be throughout. The Catholic church probably had a few new reformed members after it first screened. This isn’t so much a film about characters as it is vibe, although it does have the odd distinction of reuniting Spinell and the voluptuous Caroline Munro, two years after they appeared in the legendarily silly Starcrash. If you love classic slashers, it’s a must-see, especially for the ending. That’s where the indie horror space has really started to thrive, films off the beaten path that rip up the script and try different things. 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